A girl with a guitar, sharing songs & stories of hope and encouragement!
CONNIE MacLEOD (Born Constance Lynne Stroedecke; May 24, 1962) is an American singer/songwriter living in Scotland. She is known for her winsome delivery of heartfelt songs, including “Every Time it Rains,” “I Wish You Well,” “The Whale Song,” “Forever,” “Ocean Bird” and more recently her Gospel message music, “I Believe,” “You Are My Everything,” “The Plan” and “I Love Your Name.”
In her teens, songwriting was an outlet, leading to Connie’s first composition, “With You In Mind,” performed at Butler High School’s Spring Concert, circa 1979. That’s when Il Padrino’s (Bloomingdale, NJ) offered Connie her first gig, singing weekends in the neon light of the bay window to customers enjoying the ambiance and great Italian food. Influenced by folk greats Jim Croce, Don McLean, Harry Chapin and big voices like Barbara Streisand, she created a unique blend of folky-pop, playing clubs like Back Fence, Catch a Rising Star, Folk City, Mount Sinai Hospital, William Paterson College and Amici’s on New Year’s Eve in NYC.
While taking part in William Paterson College’s drama program, Connie acted in Bertolt Brecht’s “Caucasion Chalk Circle,” and as Nancy Lee Faulkner in “The Night of January 16th.” Later, she and fellow music students formed the band, “Tapestry” producing music videos, “Green Eyes” and “White Horse.”
In 1980, Connie made her international debut alongside the Coca-Cola Steel Band at Bermuda’s Clay House Inn, hosted by the charismatic Choy Aming.
Catching the ear of Michael Kohler and Danny Perez at Trion Studios, Margate, FL., they took a marked interest, producing Connie’s first single, “Love Me” and “White Horse.” (Yes, it was real vinyl back then!)
While her early songs, “Sunny Stretch of Beach,” “Dream Captain” and “Ocean Bird” reflected a love for the ocean, in 1984, a relocation to North Carolina, developed a country sound, reminiscent of Patsy Cline and Jim Reeves. Finding a bolder voice, and steadily writing a larger catalogue, “You’ve Got My Heart,” earned Connie a N.C. State Finalist slot in the Kentucky Fried Chicken Songwriter’s Contest and a gig at the N.C. State Fair.
A favorite at Wilmington’s Azalea Festival, she opened for Lorrie Morgan and Buck Trent, for Marty Haggard and the late, Keith Whitley at the Sneads Ferry Shrimp Festival, and for Little Jimmy Dickens at the Poplar Grove Peanut Festival. Performing regularly for USO shows at Camp Lejune, River Boat Cruises and Elmo’s in Jacksonville, all the while Connie traveled frequently across the Smoky Mountains to Nashville, TN.
When it came to contacting industry connections, she’d simply pick up the phone and get an appointment, which is just how she met Tony Brown, then president of MCA records. “The receptionist was lovely and told me to just head down the hall and it was the first door on the left…but she didn’t say to the end of the hall. Inadvertently, I walked into an office where a gentleman was on the phone and he motioned to me to sit down. From his conversation, I was pretty sure I was in the wrong office, but what to do? Should I get up now and leave him wondering, but then he hung up…I said, I take it you’re not Tony Brown. He smiled and said, “No, I’m not the living legend!” Tony told me, no doubt you can sing, but write a hit for Reba McEntire and I’d have it made. Vic Willis of the Nashville Musician’s Union became a good friend who guided Connie’s move to Music City. Making the rounds at writer’s nights, she signed her first publishing deal with Chuck Seals (co-writer of Crazy Arms) and Carolyn Hollaran of SealCo Music, joining their New Artist tour across Indiana and Tennessee.
Mama of Mama Price Music also signed “Driving You Out of My Life” to a single song contract, that quickly got picked up for a spec deal, but Connie’s true love was sharing her songs with an audience. A favorite haunt was The Arcade, afternoons at the Starving Artist Deli, or in the acoustic friendly archway for folks passing by on their lunch breaks. It was a time of great inspiration, working alongside talented musicians and writers, Catsby Jones, Mark Elliott, Susan Duffy, Linda Borden, Troy McConnell and Tim Johnson, while pitching songs along music row. The business in the 90’s was fascinating and much more open. Vic, Chuck, Dickey Lee, Paul Cowan and Harry Warner of BMI were a fountain of information and great mentors.
Connie sang often at Blue Bird Cafe, (Solo & In the Round), Ryman Auditorium, Douglas Corner Cafe, 3rd Coast Cafe, Bell Cove, on the Grand Ole Opry – Jimmy Snow Gospel Hour and especially enjoyed meeting Justin Tubb and Charlie Dick on the WSM 610 AM Ernest Tubb Record Shop Midnight Jamboree. Being a huge fan of Patsy Cline, Connie asked Charlie, “What was Patsy Like?” He got real close in my face and said, “She was real mean!” Then he added, “Only if she didn’t like you…there was no in-between with her, she either liked you, or she didn’t and she was a fabulous singer!”
At the urging of owners, Tom and Merridee, Connie hosted a writer’s night at Merridee’s Breadbasket in Franklin, TN. The cozy warm environment led to great picking parties, song debuts and an invite to perform at Tom T. and Dixie Hall’s homestead for an Old Fashioned Christmas. But shortly after welcoming 1991 at Music City’s New Year’s Countdown at the Historic Riverfront, Connie bid a fond farewell to her Nashville home and headed south to Florida.
Her first full-length album, “Too Hot To Handle” debuted to a full house at the Historic Cheyenne Saloon, backed by “Bite the Bullet” band. Tracks were featured on WKKA, K92 FM and in 2000, led her back to Nashville as National Finalist in the Jim Beam Back-Room Band Challenge at the Wild Horse Saloon.
But by 2002, Connie rediscovered her roots and love of the ocean, culminating in the release of her sophomore album, “I Wish You Well” a roots-contemporary-soft rock offering, showcasing her velvety vocals and unique style. It was a four year process working closely with her good friend and Grammy Award Winning engineer, John Blanche. Over four years, together they produced the 12 tracks, revealing a more personal, haunting, stays with the listener long after the CD quit playing album.
Her busy touring schedule included stops at House of Blues, White Wolf Cafe, Disney Resorts, Radio and Television, Church Street Station and the Miccosukee Indian Day of Peace Music Festival, with a month as featured artist at Landhotel Tannenhof – Spiegelau, Germany.
With the talented team of John Blanche, Jon Rhorer and Arte Tedesco, the “Ocean Bird” video was filmed at the National Historic Ponce Inlet Lighthouse, but just as Connie was preparing for the “I Wish You Well” tour, her doctor discovered a tumor. While it was nowhere near her vocal cords, after surgery, the unthinkable happened. Along with other very personal losses, Connie lost her singing voice for more than ten years.
It wasn’t till 2005, Barbara Jordan at Heavy Hitters Music phoned, asking Connie to write a hopeful piece for a television show..needed that afternoon, that she sat down to the piano, wrote and recorded, “My Precious Child.” While a struggle to record, the first song written after losing her voice was a step out of the darkness.
Soon after, Heavy Hitters President, Cindy Baddell Slaughter signed “Every Time it Rains” aka, “The Rain Song”, “Ocean Bird,” “All I Want is A Kiss,” “Is it You” and “Forever” to their roster, with placements on Melrose Place, One Life to Live and The Young and the Restless.
In 2012 Connie and her husband, Roddy sold their belongings and headed for Kenya to share the Gospel with the Samburu tribe in the remote regions of the country. “It was like living in an Indiana Jones movie, daily! While it was physically the most difficult thing I’ve ever done, the people I met and have come to love were worth it! I do miss peaceful nights under the vast canopy of stars, hearing the lovely sound of their lyrical voices. There’s too much to put into one page here, but someday I’ll write the book explaining how the Lord delivered us daily from deathly perils, building our faith in the process.”
Beneath the peak of Mt. Ng’iro, Connie began writing again, this time songs of her deep faith in Jesus. After four years, she had two albums worth of songs, “The Plan” released in 2016, followed by “Waiting for My King” released in 2017. While her lower, raspier voice has limitations, she gladly shares through music, the hope she has found in Christ.
Connie now resides in the home of her ancestors, Scotland, sharing her music at Celtic Connections, Glasgow Royal Concert Hall, Gig in the Goil, Salt Yard Cafe, Revival Radio, Kirkintilloch Canal Fest, Teen Challenge, Precepts and Community Gatherings along with YouTube and Facebook concerts.
In brief, that’s my story so far…but there’s more adventures and music to come…including a novel!
My prayer is that my music will touch your heart in such a way, you’ll discover Hope, knowing without a doubt, that Jesus is who He says He is…the one true God…who loves you more than you can possibly imagine! He alone is the salvation for our souls, the redeemer who rescues us from God’s just wrath for our sins. He waits patiently for you to humbly turn to Him, to rescue you and let Him love you!
Jesus the Christ is coming! Let us be ready to meet Him!
Hope to Share ~ Hold Fast
With Love, Connie